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Coombeshead Farm, Cornwall


There's no way I'm going to make it through to the end of this post without being elaborately, embarrassingly gushing about my stay at Coombeshead Farm, so I may as well just get it over with straight away. This idyllic spot deep in the east Cornish countryside makes for as close to an ideal weekend away as it’s possible to imagine; an exquisite combination of luxurious country retreat and cutting-edge modern British restaurant, the fruits of artisanal animal husbandry and organic horticulture presented by a kitchen team at the absolute top of their game. It’s a wonderful place, and you should go as soon as you possibly can.


With that out of the way, let’s look at some of the details. Every inch of the Coombeshead Farm experience is magnificently polished or notable in some way, from the grand comfort of the downstairs living rooms with their well-stocked honesty bars and cookbook libraries, to the bedrooms themselves, softened with thick carpets, absent of ugly 21st century technology (though supplied with WiFi, thank God) and with views of the rolling emerald green countryside from every low-beamed window.


It may be a working farm, and though it feels brutal to point it out, a successful business, but where it counts it has all the securities of a five-star hotel, only a five-star hotel where staff fade in and out of focus enough to make you feel you have the place to yourself, and where you don’t need to lock your bedroom door.


Even the practical, working farm side of things are beautiful, though. The symbols of the place are of course the mangalitza pigs; these magnificent beasts with their thick covering of wire-wool hair trot happily around their enclosure (for at least as long as their services aren’t, er, “required” anyway) and is the image you wake up to in the west-facing bedrooms.


Other rooms look out over the sheep paddock and what has become a much-Instagrammed symbol of the farm - a grand row of tall trees at the top of a grass meadow, framed by hedgerows and resembling an impressionist painting.


So yes, the place is knockout stunning beautiful, but never mind about that now, we have pigs to eat. Alongside drinks in the farmhouse living rooms, the first snacks appear, beginning with a selection of house charcuterie including duck I think as well as the all-important cured mangalitza shoulder blade and sausage. All incredible quality, as you might expect.


With the charcuterie, nasturtium bud capers, punchy and addictive, and wild garlic “sauerkraut” so vibrant and intensely flavoured they were, for the few seconds before I tried the next thing to arrive, my favourite new thing in the world.


These crackers were made from waste breadcrumbs, soaked, spread out like porridge and then fried with honey, whey and thyme. They cracked delicately in the mouth, releasing a sweet, oaty flavour.


Leaves of lettuce that had been growing in the kitchen garden greenhouses moments earlier were spread with “walnut miso”, which complimented the hot, almost bitter lettuce stems for an interesting asian-tinged effect.


Snacks done, and rehoused in the test kitchen/bakery/dining room, our tables were soon laid with bowls of pickles, plates of tastefully dressed garden vegetables, and home-baked sourdough with homemade butter. This just above is a plate of grilled white beetroot with cultured cream and parsnip, a heavenly blend of dairy and earthy veg which satisfied on every level.


And this is kohlrabi (which we’d spotted in the kitchen garden earlier, elongated purple limbs holding themselves above the soil like weird alien invaders) dressed in walnut paste and various interesting dry spices.


Onions came in a stock made out of bread sauce (there’s a certain waste-free philosophy at Coombeshead, though just like the extraordinary Where The Light Gets In in Stockport, nothing is repetitive - ingredients are just teased into ever more interesting new directions), and buttermilk.


Chard and mint had an unbelievable depth of flavour for what is essentially some shredded salad. And look at the colour of it - so vivid they almost glowed in the dark. Cries of “oh my God have you tried the chard” went up every few minutes during the evening.


Once Tom Adams and his team had us sufficiently bowled over by the fruits of their kitchen garden, it was time to move onto the protein. Translucent-thin slices of cured belly came draped over what my menu here tells me was ramson (wild garlic by another name) and gherkins although I’m convinced there was lovage somewhere in the mix too because, well, I hate lovage and can sniff it out at a thousand paces. For that reason, this one didn’t bowl me over but a friend on the same table said it was her favourite thing overall, so I’d go with her if I were you.


Finally, it was time for the Main Event. A thick, medium-rare steak of mangalitza pork, with a flavour profile every bit as complex and rewarding as the finest slab of Jamón ibérico secreta, next to a lively puck of mangalitza sausage and a blob of sharp blueberry chutney. All at once it made perfect sense to hinge an entire restaurant-farm and foodie weekend around a single product - this was world class stuff, nothing like any pork I’d had before. Beautiful.


Dessert was various locally foraged summer berries, blitzed into a kind of chunky sorbet and laced with sorrel. Maybe. Look, we’d had quite a bit to drink by this point (wines are advised by Zeren Wilson, so were obviously a) rare and unusual and b) brilliant, particularly a sparkling Crémant de Limoux) and my notes have started including quite a bit of odd punctuation. We enjoyed it, is all that matters.


After dinner, we wobbled back to the farmhouse and got stuck into the honesty bar. At the risk of sounding like I’ve lost all touch with reality, I don’t think I’ve ever been happier than when sat in the cosy library at Coombeshead knocking back an Auchentoshan Three Wood, revisiting every course of the dinner that we’d just eaten with similarly intoxicated (in all senses of the word) pals. But that’s what Coombeshead does to you - it is an escape from reality so comprehensive and so powerful that you enter a kind of altered state of consciousness where you convince yourself you can stay here in this beautiful place forever, tending to pigs and weeding the artichoke beds in return for food and board. I can make it work, you say. Just give me that chance.


Breakfast the next day consisted of cheese and broccoli tartlets (straight out of the oven), lardy cakes (ditto), pots of kefir, homemade granola, various freshly squeezed grape juices, and - what else - glorious slabs of glazed mangalitza belly bacon. The thought of heading back onto the M4 and revisiting the real world became a deeply depressing proposition. We left, eventually - slowly, reluctantly, a final wave to the sheep and the chickens, a final couple of photos of the garden softened with morning dew - vowing to return as soon as circumstances will allow. And if circumstances didn’t allow, we’d go back anyway, dammit.


Coombeshead the restaurant alone is a phenomenon - a rare example of the kind of magic that happens when only the finest ingredients, treated in sympathetic and intelligent ways, are presented in exactly the environment they belong, a perfect harmony of hospitality, invention and flavour. But as you may have noticed from reading this far, Coombeshead Farm is way more than a restaurant. It’s a holistic foodie nirvana, a shining example of how a partnership between the land and the table should work when good people put their heart and souls into making it happen. And it exists right now, in 2017, in Cornwall. So what on earth are you waiting for?

10/10
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Find me on Just Opened London



In case you hadn't noticed I've started doing some bits and pieces - rants, roundups and reviews - for Just Opened London. If you have noticed then great - if not, here are the links to ones I've done so far:

The Wigmore review
James Cochran N1
Fancy Crab review
Marcella review
Plaquemine lock review
Farang review
London's best salt beef sandwiches
London's best cheeseboards
Restaurant guide to Battersea
The 7 best burgers in London
London's worst restaurant names

With any luck if you're a follower of Cheese and Biscuits you should find enough to entertain you in the above. It's more of the same, for better or worse.
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Madame D, Spitalfields


I like to think I can put up with a great deal of discomfort in the pursuit of good food - noise, queues, darkness, annoying useless hand dryers instead of paper towels - but if there's one thing guaranteed to ruin my evening it's the dreaded phrase "communal seating". I don't care how many people you think it's necessary to shoehorn into your shoebox of a restaurant in order to turn a profit; there is absolutely no excuse for forcing people to squeeze in next to each other like tube passengers to eat their dinner. It's awkward, uncomfortable and completely counterproductive to the most basic levels of hospitality. If two strangers' elbows are clashing while they tuck into their starters your tables are too close together, simple as that.


With that in mind, Madame D's couldn't have got off to a worse start. Initial delight that they were able to fit the two of us in on a busy Wednesday night turned to despair after we saw where we'd be sitting - in the middle of a desperately overcrowded row of tables so close together that someone deciding they needed the toilet necessitated the whole table being pushed out into the middle of the room. I'm sure the extra £50 from a two-header made all the difference to that evening's profits, but is it really worth winding your guests up so much to achieve it?


Anyway, rant over - for now. I mention this only because the food at Madame D's is so good that it deserves a nicer environment in which to enjoy it. A much nicer environment. Naga chilli beef puffs weren't anywhere near as hot as the involvement of the fearsome naga would suggest, just full of meaty beefy flavour and surrounded by nice soft pastry.


Prawn crackers - presented in what I hope is an ironic plastic bag and not just picked up from the local cash'n'carry - came with an interesting Newari-pickle coleslaw (not as good as the Darjeeling Express Newari pickle, but not bad) and a genuinely lovely szechuan pepper sauce studded with pickled prawns, which impressed with a complex set of flavours and a good hit of chilli offset with cooling tomato. I'm not entirely sure why this snack, more often than not offered for free in Thai restaurants, cost £8.50, though. Maybe they were very expensive prawns.


Hakka chilli paneer was another rich and satisfying set of flavours and textures, fresh vegetables and fearsomely hot chillies, studded with bouncy, salty cubes of cheese. It's abundently clear that the guys behind Madame D's (just as they proved at Gunpowder) are experts in constructing and presenting lively, characterful small plates Indian cooking. It's just a shame it has to be enjoyed while attempting to tune out the conversations of three different sets of diners within easy earshot.


The one large dish we ordered was this masala lamb noodles, served in a tiffin tin, and topped with a fried egg. Sort of an Indian-spiced spaghetti Bolognese (I'm sure they'll hate me saying), it was, like all the food that had come before, confident and inventive, rather unlike anything I'd seen before in London (other than the odd set of flavours at Darjeeling Express), and endearingly quirky.


Unfortunately despite the food - and the supremely attentive service, it has to be said - being so good, all everything else about Madame D's made us want to do was to wolf it all down as quickly as possible and get the hell out of there. Still, at quieter times, and perhaps if you managed to snag a table whose proximity to fellow diners was somewhat less than intimate, there's the potential for a really bloody lovely time to be had. So perhaps it's best, for the sake of my blood pressure, I just focus on the positives. Like those naga beef puffs, or the hakka chilli paneer. Lovely, calming, quiet, hakka chilli paneer.

7/10

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Where The Light Gets In, Stockport


Let's not start this post with a paragraph about how unlikely it is that any modern British independent restaurant, never mind one as stunningly realised as Where The Light Gets In, should have surfaced in Stockport. If the past few years have taught us anything, it's that good food can happen anywhere, from the Faroe islands to Folkstone, from Southend to Land's End, and feigning aloof "surprise" when somewhere in Not London somehow gets their act together enough to run a decent restaurant is not only patronising but completely unmerited by virtue of the facts. Most of the best meals I've eaten over the last twelve months have been in Yorkshire, Lancashire and Cornwall; the British food renaissance has reached all parts of the UK, not just the bits with access to the tube.


Indeed, it's not only unremarkable that Where The Light Gets In should set up shop in Stockport but, once you settle into the dining room perched above the magnificent red-brick industrial landscape of this northern town, it feels almost inevitable that someone would want to run a restaurant here. It's the perfect eating space - bright, airy and spacious thanks to soaring high ceilings and well-spaced tables, and with views over the warehouse rooftops towards the Robinsons brewery. The kitchens are just an extension of the dining space, with gleaming stainless steel stations manned by serene, youthful chefs (including owner Sam Buckley), and service managed by elfin Emma Underwood, formerly of Burnt Truffle in Heswall. The whole operation hums with joy and energy. You're ready to have the time of your life before you even take your first bite.


It helps, then, that the food is a parade of colour, flavour and invention that more than lives up to the promise of the surroundings. Even the nibbles that come with your first drink display a determination to impress - home made potato chips, greaseless and warm, are presented with an assortment of flavoured powders with interesting names like 'Lava' and 'Cod sack'. Cod sack, by the way, is literally that - the membrane that surrounds cod's roe, dried and powdered, and packing an incredibly intense punch of seafood flavour. WTLGI are determined, as far as possible, to be a "waste free" restaurant - vegetables are used in their entirety, and elements from the same animal crop up in various forms in different courses. It's a philosophy that a cynic may say benefits their bottom line just as much as it helps the survival of the planet, but is nevertheless very impressive.


First of the twelve or so elements of the tasting menu (there's no choice, and they've only recently started doing a pescatarian option) is a crab "taco" made with cabbage leaves. It's a good idea, but one that works or otherwise based on the quality of the main ingredient, and fortunately the crab here - stunning quality, with chunks of rich white meat seasoned with some kind of clever dried herb - was something approaching perfect. In fact, I can't remember when I've eaten better crab anywhere.


Next, a radish - a giant, bright red spherical radish looking like Rudolph the Reindeer's nose, in a bed of cod's roe. The radish itself was plump and gently peppery, with a great crunch, and had clearly had been plucked out of the ground only in the very recent past. But the cod's roe was extraordinary - silky smooth and spiked with I think what they said was "rhubarb vinegar", which provided a delicate, sweet, floral note. All the infusions and vinegars used at WTLGI can be seen on shelves at the back of the kitchen area, quietly fermenting away, a rainbow of kilner jars.


Kolhrabi ate as good as it looked, and as you can see, it looked very good indeed. Five neat balls of kohlrabi, each gently pickled I think, sat in a clear consommé of what we were told was "apple and whey", and topped with wisps of fennel. Despite being an entirely vegan dish (as far as I can tell)* [see edit], it was richly flavoured and deeply rewarding, a perfect balancing act of sweet/pickle/vegetal that I never wanted to end.


At the risk of sounding like a bit of a pleb, I do usually prefer my langoustines to be cooked. There's something about the gelatinous, spongy texture of raw langoustine (and prawn, for that matter, and don't get me started on scallops) that I find slightly offputting, and even Simon Rogan, via a dish at Fera a couple of years back, couldn't convince me they're better raw than otherwise. That said, if WTLGI are determined to serve raw langoustine, and that's entirely their prerogative, you can probably do so no better than like this, pressed into a ceviche-style flat disc and scattered with powdered rose, plum and lavender. It also probably helps that the langoustine itself was extremely good quality, sweet and fresh.


I think it was about this time the bread arrived, and it turns out that, not content with being annoyingly brilliant at everything else, someone in the WTLGI kitchen is some kind of baker genius as well. Because they've managed to make a loaf with a perfect moist, bouncy crumb and a delicate, dark crust like the finest French pastry. I'm well aware I've already exceeded my quota of superlatives in this post but just like the crab taco, and the radish and the kohlrabi and everything else, I doubt the sourdough could be improved upon at all - it was a supreme version of its kind.


These mussels, vibrantly coloured and so much more intensely flavoured than your average bivalve, were apparently hand-picked in Cornwall. Which makes sense, as most of the country's best ingredients come from down that way. They came in a fermented peach, horserading and hawthorn flower broth which had that same umami richness of the kohlrabi but with an added note of countryside hedgerows. Joyful.


While it's true to say that I and lovage don't always get on (they had a particular fondness for it at Noma I seem to recall; it even found its way into the desserts), here the trademark metallic tang was tempered by a judicious use of foraged wild herbs (thyme and marjoram) - and the "no waste" philosophy meant all of the plant was used, from the leaves and flowers to the thicker stalks which had a bit of a celery crunch. Presumably another vegan dish, this was every bit as satisfying and richly textured as the kohlrabi - you felt healthier with every mouthful.


But while their way with vegetables is deeply impressive, WTLGI know what they're doing with a bit of pig, too. Homemade charcuterie - cured belly I think - was salty and soft with a good hit of pork flavour. And a separate cup of pork broth was bewilderingly intense - an almost overwhelmingly farmy aroma but with a smooth, rich taste of excellent pork. I don't know whether it was just that I was enjoying myself so much but all of the ingredients at WTLGI, everything from the foraged vegetables to the meat and seafood, seemed just that bit more vibrant and intensely flavoured than anything else I'd ever eaten of that kind. It was a masterclass in sourcing.


And so it was with the pigeon, which somehow conspired to be more powerfully "pigeon-y" than any other of the same species I can remember eating in the past. Neatly separated into claw and breast fillets, it tasted of summer flowers and wild meadows, and of a healthy, happy life - until recently, at any rate. I knawed at that leg bone until it was completely clean.


Desserts began with a dish made from dried, candied peach skins and a cream made with peach stone kernels. Clever, wasteless stuff but crucially it also tasted great - these were, needless to say, excellent peaches.


The rest of the peach turned up in the next course, simply presented with some good, chunky frozen yoghurt. In the bottom of the bowl was a lovely peach "soup" of some kind, clear and clean tasting with a gentle sweetness. And I know I keep mentioning the waste-less thing, but I'm sure that the success of WTLGI is literally because of their attitude to making the most of every ingredient, not despite it. While the same raw ingredients crop up in various dishes (apple in the crab taco and the kohlrabi, peach in the mussels and desserts), nothing feels repetitive or samey; their myriad of techniques and skills ensures that every dish dazzles in a different way to the last. It really is marvellously exciting stuff.


But, sadly, so sadly, we were nearly done. Fermented berry and buttermilk tart was a pretty little thing, a delicate base containing a layer of soft buttermilk cream and topped with gently fizzy berries. It was a final hurrah from a pastry section proving they could turn their hand to classical patisserie techniques when required.


Petits fours were miniature treacle tarts - warm, comforting - and clever little sugar losenges that exploded into a hit of Buckfast (of all things) in the mouth.


When a restaurant you have little hope for turns out to be good, there's a tendency to exaggerate the positives and gloss over the negatives. I've been guilty of this in the past on this blog, perhaps being kind to anywhere I was expecting to not be great and that turned out to not be dreadful. That's human nature, I suppose.


But when a restaurant you expect to be brilliant, thanks to the pedigree of the people involved, turns out to be even better than that, well, clearly something very special is going on. Where The Light Gets In is, using any conceivable measure, a triumph - a perfect marriage of meticulous sourcing, stunning technique and glittering service that holds you rapt from the moment you step into that gallery-like dining room and for many days after you leave. The waste-less philosophy, which could so easily be a gimmick, or a muzzle on a creative kitchen team, is in fact the ideal way to make the very most of the very best ingredients, and - thrillingly - a guarantee that hardly any two meals will ever be the same. The idea that this relatively new restaurant can only grow and improve from here is exhilarating; just imagine where they'll be years from now.


So I won't waste any more of your time writing about it when you could be up in that lovely room in Stockport enjoying it. Already a towering achievement, its reputation will only grow from here; if you have the means, you should do everything in your power to get yourself a table. Whatever the weather in this notoriously inclement part of the country, the future is bright, and the sun will always be shining, for Where The Light Gets In.

10/10

EDIT: As has been pointed out, whey isn't vegan. My mistake.
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