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Amass, Copenhagen


Considering my first trip to Copenhagen hadn't quite fulfilled its promise of giving me the greatest meal of my life, it's perhaps odd that my first reaction on arriving back in London was to plan a return to the Danish capital. Partly it was because That Meal at Noma had been such an event, taking up so much of the weekend mentally and physically, that I felt I hadn't really made the most of the Copenhagen restaurant scene and wanted to see what else was out there.


But I also knew that I liked Copenhagen and that even if it turned out that, after all, New Nordic cuisine wasn't entirely my bag, this was still a fantastic city to visit; clean, comfortable and friendly, and thanks to Norwegian Air (returns £55 and free in-flight Wifi) and AirBnB (a genuinely lovely flat in Freidricksberg for £23 a head per night), inexpensive to boot. The number of organic bakeries, craft breweries, natural wine bars and house charcuterie options pointed to the fact that there's far more to this town than small-plates tasting menus in converted warehouses on the waterfront.


And to prove that point, for Saturday lunch we had booked a small plates tasting menu in a converted warehouse on the waterfront. To be fair, it's more or less impossible to escape Rene Redzepi's influence in this town; I lost count of the amount of times I read "ex-Noma" on a restaurant's menu or website, to the extent it became a kind of running joke. But Amass was to be my last deliberate go at this kind of thing, and if I still left this meal with more questions than answers, desperate for a kebab and with a renewed hatred of lovage, well, at least I could say I gave it my best shot.


The first thing to do, in this stunning cavernous room with its grand views of the Refshaleøn wetlands, is to order a drink. The barrel-aged Negroni is something almost approaching a cliché in trendy London circles (they do a very good one at Pidgin a restaurant you should visit as soon as you possibly can for that reason and so many others), but this version was superbly balanced and incredibly good, and tasted even better whilst nosing around their kitchen garden in the springtime sun.


Back inside, and without much fanfare or overture - in fact without even so much as a bowl of nuts, never mind the series of exquisite snacks that are presented to introduce the tasting menu at, say, Fera at Claridge's - the lunch began. First up, a bowl of silky smooth chicken liver parfait topped with "Seville orange skin" and dusted with black pepper. A tried and tested flavour combination, and one used to great effect here; in fact the paté itself was right up there with the classic Heston Blumenthal "Meat Fruit" at Dinner.


House bread was a fermented potato cake, piping hot from the oven, and an interesting "butter" containing spiced shredded celeriac (yes, really) which was just as strange as it sounds but still rather enjoyable. My nana used to make potato cakes, and had she been using a real wood-fired oven I'm sure they would have turned out just as good as this. I think she used to serve them with margarine and Marmite though, not spiced celeriac butter.


There was a lot to like about this bowl of raw (or at least ceviche-style) pollack, enoki mushrooms and sweet potato in nasturtium vinegar, even if at the same time there was very little to love. Fresh and invigorating, with a clever broth boasting just the right balance of vegetal sweetness and gentle acidity, it tasted like the kind of thing that would bring many positive health benefits. The problem is that I go to restaurants to eat delicious, unhealthy things and feel guilty about it later, not to have my shakras realigned.


Similarly this dish of carrots and salted goats cheese, which was clean and refined and delicate and all the other words you'd hope to have associated with a plate of carrots and salted goats cheese but really, in the end that was all it was. Some carrots (sweet and firm, right on the line between raw and cooked) draped over some citrussy cheese.


A main course of pork neck was far more to my greedy tastes. Slow cooked to a kind of sausagey tenderness and finished with a smoky char from the grill (perhaps the Big Green Egg we saw lurking out back) it was dressed in a "Grilled bitter greens" sauce that tasted so rich with umami I thought they must have added parmesan cheese, like you would in pesto. But no, they insisted there was no cheese involved, just a lot of complex techniques and many different foraged vegetables.


The pescatarian alternative was this pretty pile of flowers and greens, underneath which was a perfectly cooked fillet of Brill. The fish itself had a beautiful meaty texture, and the buttery glaze gave it the appearance and taste of the finest Dover Sole. Which, of course, as anyone who's ever had really good Dover Sole will tell you, means this fish was very good indeed.

Roasted Tea Ice Cream took a bit of getting used to, as the tea they'd chosen to make the ice cream with was so strong and powerfully smoked it was a bit like eating frozen ash. But once the initial shock wore off this was an exciting and unusual dessert, the ice cream being flawlessly smooth and the bits of chewy dried citrus like chunks of Haribo. This is a good thing, in case you weren't sure.


With some (unremarkable and quite dry) "Brown Butter Coffee Cakes" came some blueberry jam, very nice although it really was needed to stop the cakes sticking to the roof of your mouth. "Coffee Graham Cracker" was good though, little square sandwiches of coffee cream topped with (I think) caramel.


From the digestif menu I spotted "Amass Whiskey Cream - ask Dave for %" so obviously had to order it. And boy am I glad I did; it was a gorgeous thing, rich with the three pleasure points of alcohol, cream and whisky, and a luxurious thickness in the mouth. Oh, and Dave said the ABV was "about 40%" so that's good enough for me.


So there we are. A fun afternoon, and a pleasant lunch, just one that was - very much like Noma in fact - technically impressive rather than consistently rewarding. I didn't leave Amass hungry, or even disappointed as such, just with a vague feeling of missing out on what I generally go to restaurants to find - fat and flavour, fun and fireworks. At just over £100 a head (I can't work out the price exactly as we swapped and changed from the tasting options and ended up with something in between the cheapest and 2nd cheapest) it's certainly a lot cheaper than Noma, and to that end if New Nordic is your bag then this, Noma's little brother (they'll probably hate me for saying), would suit you down to your single-herd dry-aged leather boots.


But also much like Noma, there's something about Amass that sticks with you. Whether it's the cheerful enthusiasm of the staff (the sommelier who talked us through a succession of increasingly bonkers natural wines from increasingly huge bottles deserves a special mention), the brutalist cool of the dining room, the theatre of the open kitchen manned by a troupe of chefs with so much facial hair it was like having your lunch cooked by The Cousins Itt. It's undeniably a very, very cool place to eat. And if that's the kind of thing that you want from your restaurants - and there's no reason why it shouldn't be - then you'll have a great time here. Me, I'm still undecided. Maybe I'll go back to Copenhagen one more time to make absolutely sure.

7/10

P.S. Buy my app!
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Padella, Borough Market


I have a rather conflicted relationship with intimate open-kitchen restaurants. At their best, for example in Japanese style sushi bars, they offer the ultimate host-guest experience, allowing a chef to tailor the pace and content of a meal on an invidivual level and giving the customer an intimate view of the skill and technique that goes into the making of their dinner. Served blind, the food at Sushi Tetsu would still rank amongst the finest Japanese food in the capital, but seeing it prepared before your eyes with such balletic skill and artistic flair lifts the experience to another level.


And then there are the open kitchens where perhaps I don't want to see precisely every raw detail of what goes on in the making of my dinner. The thing about sushi bars is that most of the boring and ugly prep goes on behind the scenes; all you see as a diner is the last chapter, the beautiful final few strokes of the brush. There's an aesthetic magnificence in the preparation of sushi, it needs to be seen. What I don't need to see is tupperware being opened, clingfilm torn apart, piles of waste being shovelled into black bin bags, handfulls of blue roll being used to mop up smudges and spills. These things subtract from the joy of eating, not add to it.


So with that in mind, there are certain fascinating things to be seen sitting at the bar at Padella. These certainly include the almost forensic care and attention that goes into the making of the pasta, a skill which surely ranks right up there with Japanese noodle mastery. Watching the chefs at Padella gently tease apart a clump of pasta into the individual boiling cages, taste the water for seasoning, then eventually transfer the pasta to a pan, teasing the liquid back and forth to capture just enough of the precious pasta water, all this is a joy to behold, something entirely new to me and which undeniably enriches the experience of eating at Padella.


But when I order a beef carpaccio and watch someone grab a plate from the fridge, tear off the clingfilm and then hand it to me, well, not so much. I'm fairly sure there aren't many better ways of serving beef carpaccio in a busy kitchen I'm just thinking that had I not seen someone pull it out of the fridge a few seconds earlier I wouldn't have noticed quite how cold it was. Despite all this though, it was clearly very good beef, dressed in excellent oil and delicate crystals of sea salt.


The pasta, though. Good lord, the pasta. It's probably not a good idea to deal in absolutes but let's face it, when has that ever stopped me before, so I'm going to stick my neck out and say that the pasta at Padella is the best I've had the privilege to eat anywhere in Britain or abroad. Pici cacio e pepe was thick with a gentle give, silky with a perfectly balanced parmesan, black pepper and butter sauce and so intensely addictive when the last of it had disappeared from my plate I experienced what I can only describe as a profound sense of loss, a deep and ferocious longing for more pasta. Possibly this had something to do with the portion sizes at Padella being not quite on the right side of generous, but even so, this was exceptional pasta.


Then ricotta and sage ravioli, utterly flawlessly executed pillows of fluffy, dairy loveliness, glossed with gently herby butter and topped with fresh shaved parmesan. It's hard to comprehend that the pasta at Padella could be improved upon in any way; in fact more than that, it's better than I ever thought pasta could be, enough to ensure I never order it from anyone else again lest I sully the memory of this one perfect pasta moment. Yeah, it's good.


So I'm willing to ignore all the other annoyances - the cling film, the blue roll, the no reservations, the fact they saw fit to sit me right next to a stranger on an otherwise empty bar - because I would walk a thousand miles through rivers of molten steel for a chance to eat that pasta again and everything else is an insignificance. All I can suggest is you make the trip to Borough Market yourself and get in line. You think you've had pasta before? You really haven't.

10/10 (for the pasta)
7/10 (for the restaurant)

Chances are Padella will be in the next version of the app. But if you get there and the queues are too big, why not see where else round there is good.

Padella Menu, Reviews, Photos, Location and Info - Zomato
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Alimentum, Cambridge


Usually the way I go about organising a weekend break out of London is to find a particularly interesting restaurant, make a Saturday lunchtime booking, and then cross my fingers I can find a hotel that won't break the bank and - the real challenge - a train journey that doesn't involve changing 6 times and costs more than a return flight to Florida. When did we start getting used to the idea that the single biggest expense of a weekend away is the 50 minute ride on a grotty old Great Northern train and not either a Michelin-starred lunch or the attractive city centre hotel? Where the hell is my money going? It certainly isn't spent on plush upholstery or clean toilets.


Anyway, for various reasons, this trip was a little unusual. Firstly, it was the hotel that was organised first. Via various PR channels, Hotel du Vin Cambridge very kindly offered their services for a night, which meant I next had to decide where to eat for lunch on Saturday at (fairly) short notice. And unlike most of my foodie trips around the country, I didn't manage to find a table at my first choice (in this case Midsummer House), and instead found a table for 2 at Mark Poynton's Alimentum. I also, given the tight timelines, probably didn't get the very cheapest train ticket available but even so, £78 is a ludicrous amount of money to pay for a trip for two lasting under an hour each way. But it's fine and I'm not letting it get to me, OK? I'm not.


As a thank you for their efforts I should first say that Hotel du Vin is as good as a city centre hotel as you could want in a town like Cambridge - a ramshackle Georgian terrace blessed with high ceilings and wobbly floors, updated with ironic drunken May Ball frescoes and lovely soft carpets, comfortable and plush while still retaining a certain cheeky charm. The room - well, suite really - was grand and spacious, with a vast monsoon shower and separate bath, and with a nice view over the rooftops. The trick to city centre hotels - in fact any hotel, and restaurants too for that matter - is to use as much of the style and charm of the location as possible, and to this end Hotel du Vin is very successful. It feels like a Cambridge hotel, only one with a nice big flatscreen TV and minibar. I enjoyed staying there very much.


But I imagine you're not here to read about how nice my hotel was, but about dinner at Alimentum. We were the first people to arrive at this strange new building on the outskirts of town, and so we probably didn't get the best first impression. Staff were perfect, don't get me wrong, but the intimidatingly empty dining room wasn't helped by an approach to interior design best described as "90s provincial nightclub", all red leather and black wood, and it really took a little time to get used to it.


But as with so many of these things, as soon as enough starts going right, the minor annoyances just fade away. A tray of amuses were the first indication that we were in safe hands - a wonderful delicate squid ink cracker topped with cod's roe emulsion (very Rogan-esque I'm sure they won't mind me saying), and some beautiful grueyere croquettes, boasting a supremely thin casing and deeply rewarding smooth cheesy filling.


Bread was all made in house, and as is usually the case anywhere they bother to go this extra mile, it was very good. Milk bread with maple syrup was light and fluffy, and a cute mini whole meal loaf had a lovely moist crumb involving sage I think.


Pre-starter of butternut squash soup had that lovely fluffy consistency of the finest Fine Dining soups. Truffle oil added a proper luxurious note and the pumpkin seeds had been carefully roasted to a perfect brittle texture, without a hint of chewiness.


My A La Carte starter of wild garlic with langoustines was the kind of dish you always hope to be served at a place like this, but sadly only very rarely are. Boasting a geometric exactness that surely must have involved a herculean amount of effort, the promise of the immaculate visuals were more than met my the smoky taste of the grilled langoustine, the fresh sea-tang of the Avruga caviar and the wild garlic mousse artfully bound with spaghetti. On top, some baked Jerusalem artichoke crisps added crunch. A dozen techniques and textures, each performed at the highest level, and presented with an artist's eye, surely this wouldn't have looked out of place on any 3-Michelin star restaurant menu. I ate it in a kind of stunned reverie.


A mackerel starter also had a very pleasing geometry, ballotines of just-cooked fish pairing extremely well with some sweet (possibly slightly dehydrated somehow) grapes and stalks of green fennel shoots. OK, perhaps it wasn't quite as knockout as the langoustine but this was from the prix fixe menu and necessarily used cheaper ingredients; it was still great fun to eat.


The prix fixe main was this attractive tower of pollock with asparagus and truffle. As with the mackerel starter, it was doing the correct prix fixe job of applying top-end techniques to cheap(er) ingredients - yes, perhaps a fillet of halibut or turbot would have been a slightly more interesting fish, but it would have also been twice the price. Pretty, too, isn't it?


The ALC main on the other hand, of 80-day aged Hannan beef (if you recognise that name it may be because they also supply Hix's Tramshed in Shoreditch) with sweetbreads, was allowed to go that extra mile with the top-end ingredients and boy, was it worth the effort. Most importantly the beef itself was stunning, as good as an example of the British/Irish grass-fed style as I can remember having in many years, deeply minerally and (for want of a better word) "beefy", with soft ribbons of fat and moist medium-rare flesh. With it, confit potatoes of such exquisitely calculated layering, resembling tiny books, it seemed a shame to eat them at all. And breaded sweetbreads, morels soaked in beef jus and parsley puree, each adding complexity of flavour and colour. Another truly superb, unashamedly high-end dish that satisfied on every level.


Pre-dessert was so good it threatened to overshadow the desserts proper. A frothy passion fruit "soup", just the right (and extremely addictive) balance of sharp and sweet, and a blob of perfect blood orange sorbet. Beautiful in every way.


The "chocolate" dessert was a neat Millionaire's Shortbread style thing with more excellent ice cream and blobs of sharp passion fruit jelly.


And this arctic roll was an equally enjoyable marriage of dairy, cake and summer fruits, which also swiftly disappeared without a trace. If I'm going to be brutally honest (and after all, this is presumably why you're here), neither of the desserts really lived up to the level of quality set by the savoury courses, but they were still a long way off disappointing.


Petits fours included a clever take on a "Wagon Wheel", a nougat and a salted caramel truffle made with goat's milk. They also didn't last long.


As I somewhat drunkenly tweeted towards the end of the meal on Saturday, given the near-faultless meal I enjoyed there it seems scarcely possible that Alimentum should have ever been my 2nd choice for anything. I'm sure Midsummer House is lovely, in its Victorian villa with views of the river Cam, but I can't think of a single person who'd feel that the food served at Alimentum, even factoring in the disadvantage of a dining room with all the personality of a branch of Foxtons, wouldn't be worth the money they were asking for it. Reward for the journey to Cambridge and then some, I thank my lucky stars that a certain other restaurant had been full that day, my weekend would surely have been the poorer otherwise. From now on, Alimentum, you're my #1.

9/10

I was a guest of the Hotel du Vin but I paid my own bill at Alimentum. HdV would like me to point out two offers they currently have on: ‘Dinner, Bed & Breakfast’ from £195 and ‘Champagne & Stay’ from £180. Both look like good deals to me.

Alimentum Menu, Reviews, Photos, Location and Info - Zomato
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